Visual Artist
2019 Retour à la nature
2018
Traumvision, 300 cm x 200 cm, oil on canvas
When the sold moment breaks, 200 cm x 300 cm, oil on canvas
Heavenly Creatures, 200 cm x 300 cm, oil on canvas
Nature between man and woman, 45 cm x 65 cm, collage, acrylics and ink on paper
Time thickens the blood until alarm goes on, 27 cm x 43 cm, collage, acrylics and ink on paper
Malehunters at her royal service, 20 cm x 20 cm, collage, acrylics and ink on paper
2016-2017
KitKat 1743-1748, 200 cm x 300 cm, oil on canvas
All We Can Hope Is a Beautiful End, 200 cm x 300 cm, oil on canvas
When two meets one, 50 cm x 50 cm, oil on canvas
Swarm intelligence, 60 cm x 60 cm, oil on canvas
Subtle suck, 55 cm x 55 cm, oil on canvas
Hershies kisses, 53 cm x 55 cm, oil on canvas
Portrait of a man, 60 cm x 60 cm, oil canvas
Dream baby dream, 23cm x 35 cm, oil on canvas
Sweet baby Jesus, 55 cm x 55 cm, oil on canvas
2014 - 2015
Forgive me, 140 cm x 125 cm, oil on canvas
These days, those days,( History of decadence), 55 cm x 75 cm, collage, acrylics and ink on paper
Unknown soldier, 34 cm x 20cm, collage, acrylics and ink on paper
Beaty of sorrow, 160 cm x 165 cm, oil on canvas
Wera
Ze
viniscius
sabine
roberta
rebeca
raul
marcio
luciano
julio
lola
ramon
hernan
juliana
jozias
juliana
daniel
deborah
claudio
fabianna
boy
esther
clarissa
clara
ciko
ana
cadu
anderson
Anay
aline
Crellestraße 44, 2012-2014
Moon shining
Maria of Egypt
Louisa
Thelma
indian girl
clown boy
Bird
Setting
Selfportrait as a reindeer
Alte Schönhauser Straße 26 Paintings, Polaroids and 8mm film, 2011
The series titled 'Alte Schönhauser Straße 26' combines three different mediums, which he labels the archetypes of image production: Realist oil painting, Polaroid photography, and Super 8 film. The main difference between these three mediums is in the time it takes to create them. The paintings can take tens of hours of work, while the films bring the viewer to a direct temporal presence within the project.
With 'Alte Schönhauser Straße 26' focus is on imaging and reconstituting the studio space that dually functions as his home and place of work. Within this space the artist finds confidence in his creative process and constructs his own presence as an artist, intersecting physical and mental conditions.
Working interactively is a way to get to know a new environment and to find one's place within its social networks. In order to explore his relation to space, himself and these networks Eemil Karila meticulously documents characters as they enter and exit 'his network', his place of production and habitation at Alte Schönhauser Straße 26 in Berlin.
The models in the paintings are the artist's close friends who partake voluntarily in their documentation. They visit the artists regularly until the completion of the painting.
In his work, Karila is interested in showing the unseen. Although the work in this exhibition appears in a very conventional medium, the ongoing project and its research deal with issues of time and space; how the contextualization of social events through art gives them a body and content
